I never think when I write; nobody can do two things at the same time and do them well. ~Don Marquis

Sunday, November 2, 2014

Security Theater (flash 55)

The parking lot sparkles on patrol.
The pavement is littered with salt crystals
embedded in the asphalt like diamonds.
The salt will drain off into the sewers
and end up in surrounding wetlands
and ground water, like toxic deicing sludge.
We walk the parking lots looking for trouble,
stare at people with our theater eyes.


I'm happy to make it back into a Flash 55 community, thanks to The Imaginary Garden With Real Toads who picked up the mantle when our Mr. Knowitall (Galen) dropped it to reclaim his offline life. I've missed the 55's so thanks to all of you Toads!

If anyone has a piece of fiction in 55 words they'd like to share, go to the link above and proceed from there. I must confess, this piece, while fiction, is loosely based on facts.

Hope everyone is having a creative weekend.

Tuesday, October 21, 2014

Hot And Cold

In The City

Boys pace the pavement
in sweat darkened T-shirts.
Girls with pink hair huddle on the curb.
School's out.


In The Country

She wears red fox around her neck
to keep her warm.
She drinks wine with musicians in the mountains
who make music that will outlive them
and the fire they sit around.



Sunday, October 5, 2014

The Scout

The barbed wire grapples and snags
like expectation and life gone astray
but it doesn't hurt if you can get away.
Smoke drifts closer and the dogs bray.
Hand-spun cotton but no lingerie,
practical shoes adorn bare legs.
It won't hurt if she gets away.


Photo by Tom Chambers






















The image prompt comes from Magpie Tales a blog dedicated to honing the craft of writers and poets and keeping the muse alive, even when it has been ignored and neglected. For me, this image was fraught with contradiction from the barren landscape and barbed wire to the casual expression on the face of the runner, as if someone had just called her name, or asked her a question. She isn't dirty and she isn't sweating, yet she runs. Like a poem, or a short story, it leaves us half circle. The ending is ours to compose.

Thursday, August 21, 2014

Flash Fiction

LATER

On the first warm night of the cool summer she wore the sarong she bought in Venice where everyone was beautiful. The fabric was soft as a sigh and brought back the surf that smelled like seaweed and the beach littered with what the ocean didn't need and the muscle volleyball game and the blackest man in America who mimed on the boardwalk. Candle wax from the last time she'd worn it had hardened in little droplets down the front. She could get it out with an iron and a piece of paper towel. But it would have to wait.

The rain came across the fields like wind through corn and what had to be done because he was gone overtook the carefree evening. She took off the sarong and hung it back in the closet, changed into jeans that fit and pulled on the tall rubber boots that didn't.




note: I was going to add one of my pictures but then decided I didn't need one. Couldn't find one that fit this little snippet of life. Couldn't find a picture of emotion, couldn't take a picture of the wind, only the effect it has on things. What am I trying to say?

Tuesday, July 29, 2014

Hang The Garlic Over The Drive

Summer is busy but should one not always steal a moment to write? We dug our garlic and hung it in the granary.  Dad said to hang it over the drive, but I didn't know what he meant. Then he told me that Grandpa used to park his car in here-there are two big sliding doors on each side of the structure-a perfect place to park your car. But it hasn't been used as a garage in my lifetime. 

So I hung my garlic "over the drive" from the top railing on the third floor, climbing the steep staircase on your right. The old steamer trunk that sits behind the railing against the back wall is empty. I wonder what happened to the contents. Did I imagine them from my childhood?





The corn that borders my garden towers overhead 




and the winter squash and potatoes flourish.



A story about the granary: When we were children, an unruly cousin took our beloved red wagon to the top of those stairs and pushed it over the edge to the concrete below. The impact made a horrible noise and our wagon was smashed beyond repair. I don't think we ever got another. I don't know what compelled him to do that, but every time I climb those stairs, I remember it.

That's it for now. Off to plant more beets and lettuce. I just wanted to wake up my blog and say hello to all. How has your summer been?

Monday, June 23, 2014

Bold Red Fox, Dead Red Hen

Fox have found our chicken coop and they've been taking them out in broad daylight, one by one. A neighbor alerted us to the dead chicken in their yard and fox in the driveway. Fox on the prowl. The egg count is down and now we know why. We wonder how long it's been going on, From a flock of one hundred, you could lose a few and not realize it. We close up the coop at night once the birds are all inside. They are safe at night. But daytime is killing time. Now we know.

The fox slip through the poultry fence like eels through sea grass. Nothing can stop them except a ten gauge, a keen eye and a steady finger.The loaded gun sits by the back door, though I don't like it there. We guard the poultry fence towards dusk when the chickens are still outside foraging. We watch the field, the woods, the fencerow.

We can't go to town, or down the road to dinner, can't weed the asparagus or trellis the tomatoes. Here they come across the open field, bolder than fox should be. There one goes out of range at a brisk trot with a chicken in its mouth, disappearing into the woods. Feathers on the ground. Carnage in the fencerow. Buzzards overhead, cleaning up after the fox.

We mull the fate of the birds we've raised, nurtured through winter with heat lamps to ward off the frigid wind, and now move around on open pasture, water and pamper for the eggs they give us. They are just now beginning to reach their peak egg production. All the hard work through winter was just beginning to pay off.


Wednesday, June 18, 2014

Mother And The Cutthroat

Every year mother gave me dried delphiniums (massive blooms staked against the wind swayed above the irises and poppies). She’d hang them in a dark closet along with sprigs of lavender. Once dried, they would hold their color through the winter.  I have one delphinium from two years ago. Though faded in color, I save it.

One of her poppies survived the Polar Vortex. I fleshed it out of the weeds and pulled out the invasive quack grass that was smothering it. Big egg-shaped buds covered the plant, a tinge of pink at the tip promising salmon-colored crepe paper blooms in a week, or two, with sun and rain and faith. Faith was  for daffodils in my grandmother’s dictionary, but the daffodils are done and the tulips are done but the poppy is to come. 

But wait. The whirr of the gas-powered weed whacker warns of danger. The swoop of the handle cleaves the air, dismantling everything in its path, protective goggles and gloves for the whacker in full-throttle  approach. Protection for the cutthroat but none for the poppy. In one fell unsupervised swoop, the poppy is in ruins, flecks of bud (hints of salmon) lie scattered in the grass like fluffs of dandelion. 

Sister presented mother with the remnants. Poppy pieces in her lap, like rose petals saved from a prom corsage.


Friday, April 25, 2014

The Willard

Willard Asylum - Lisa Gordon

The walls sweat
like my doctor's brow.
I long to touch dry bark,
rasp my cheek along the flank of a willow,
rest a hip against the oak
at the back of the lane.

They tell me it will make me feel better.
I swallow and nod and try
to get along.
But the walls waver and sweat

like my doctor's brow.
I can tell you how that tastes.
I want the sandy lane under my feet,
sand I can brush off and leave behind.


I wrote this poem for an artistic interpretation challenge from Margaret at the Imaginary Garden. This photo of the Willard Asylum in the Finger Lakes Region of New York was taken by Lisa Gordon when she toured the facility and photographed it. The asylum opened in 1869 and was closed in 1995. During the time it was operational, 50,000 patients called it home. Six thousand died there. Also of interest to me is Margaret's link to an ongoing project by photographer Jon Crispin called "The Willard Suitcases". He is photographing the contents of suitcases left behind by patients of the Willard Insane Asylum.

There are more photos of the asylum on Lisa Gordon's website here, including this one of a patient's grave, marked only by a number plate set in the ground.


Willard Grave Marker - Lisa Gordon

Friday, April 11, 2014

Keeper Of The Light

Boat In The Moonlight - Odilon Redon

No one knows how he lost his way
on the familiar run from
the mouth of the river
to his room on the quay.
The moon was out
when he ran aground
and the boat was found
but not the old man.
Only the keeper knows
what happened that night
how he fell asleep
whilst tending the light.



April is poetry month, and the challenge today at The Imaginary Garden was to write an ekphrasis poem based on the work of French symbolist painter and illustrator, Odilon Redon. Ekphrasis is a literary description of a piece of art.


Wednesday, April 9, 2014

TheTurtle




I walked around the pond in search of life.
The center is swirled in snowbanks
but the thaw has begun.
No floating fish-the feared winter kill-off, 
only leaves and corn husks float 
in the debris of spring.
Yet under the dock, air bubbles surface
and I imagined the turtle stirring
with dreams of a dragonfly’s spin.
But for now he sleeps. It’s only April.


The challenge here was to give our best and worst of April in 66 words. 

Friday, April 4, 2014

Memoir/Memory

Memory is like a foggy morning: as the fog lifts, things take shape. A foggy morning pleases my writer's heart, like nature and seclusion. Upon awaking to fog, I want to light candles and brew coffee. I want it to stay like this: still and quiet.

Nothing except in things. 

So, I've decided to write a memoir, triggered by a contest notice. I'd never thought I had a life others would want to read about, but as I thought this over, I decided that wasn't true and began to dig around in my head for the childhood events that stand out like signposts. As one was unveiled and examined another emerged, like trees in a fogbank.

Do you ever wonder what made you the person you are today? How you got to where you are, why some things matter to you and other don't? What your career choices have been and the people you are attracted to and the ones who repel?  Writing a memoir is to take an untraveled road of discovery. And I've had the strangest, most vivid dreams of places and things and people I've not thought about in a long time. Do you wonder at the mother-lode of memory buried in our brains, waiting to be brought to light and shared?

I'm an environmentalist because my father is and my grandfather was, as was his and so on. Though they didn't call themselves that, any farmer who farms the land in a sustainable way and raises grazing animals while adhering to the time-honored practice of husbandry, is essentially an environmentalist. On road trips, Dad was constantly pointing out things of interest, from a herd of cattle to a hawk to the setting sun. He never let nature go unnoticed and while we might have been prone to day-dreaming in the backseat or squabbling about who was touching who, he drew our attention out the window to the vista in front of us or the one behind.

So that is one signpost in the road I've traveled to become the person I am today. But there are things I'm afraid to write about too, as sure as the fog will lift and the noise intrude. It takes a lot of courage to write a memoir and I commend the masters of this genre, namely Jeannette Walls who wrote The Glass Castle. And while I never led that nomadic of a life, it hasn't been one without interest and intrigue.

I've always found the idea of a "residency" intriguing. This farm might serve as my residency, except family obligations and chores always interfere. Life intrudes. That's the beauty of a true residency. Nothing intrudes between you and the writing. Dare I apply for a residency? Could I be gone for two weeks to participate in an endeavor that society places little value on? Many would see it as selfish and self-absorbed. I would see it as the gift and opportunity of a lifetime.

The closest I've ever come to a residency was a friend's summer house on a wake-free lake in Gladwin. I stayed there by myself for three days, nothing but loons, lily pads, jumping pike and grazing cattle in a field on the other side. I loved every single solitary minute. I wasn't afraid. I spread my manuscript out around the living room (itself, a luxury) and let it absorb every waking moment, stopping only to eat and sleep. In three days I edited fifty pages, wrote a poem and penned two or three sentences of another idea. Think what could be done with two weeks!


Friday, March 28, 2014

The Swan Song for Flash 55

Many a Thursday I stayed up late
to write a story for the man.
He liked beginnings and he liked neat ends,
so I labored long over rhythm and rhyme,
whilst counting my words and staying inbounds.
Other than word count, all he asked we do
was make it fiction, wasn't supposed to be true.

On a cold winter morning a girl was found
frozen to death in the snow
Nobody knows what happened
but speculation abounds.
Did she slip and fall by her own accord?
Too much drink and a lover’s row?
Would it were summer we could sleep it off
and wake in the arms of the morn.


After hosting the Friday fun-fest for 7 years, Galen Hayes aka Mr. Knowitall is passing the reins to someone else. I would encourage you to join the farewell tour.

All good things come to an end.
Galen, you truly are the most gracious of hosts.

I’ll miss writing for you.

Sunday, March 16, 2014

A Black Parable

"Fiction is the great lie that tells the truth about how the world lives."
                       ~Dorothy Allison

     



In Oscar Wilde's "The Picture of Dorian Gray", many universal truths are revealed between the lines of convoluted verbiage. Just as there were plodding passages I skimmed over, there were glittering sparks of dialogue and introspective pondering, which caught me by the feminine equivalent of "the balls".

I wanted to share a few of my favorite lines that made me stop and think.
  1. "Each of us has heaven and hell in him."
  2. "Sin is a thing that writes itself across a man's face. It cannot be concealed. People talk sometimes of secret vices. There are no such things. If a wretched man has a vice, it shows itself in the lines of his mouth, the droop of his eyelids, the molding of his hands even."
  3. “To get back one’s youth, one has merely to repeat one’s follies.”
  4. “Nowadays most people die of a sort of creeping common sense, and discover when it is too late that the only things one never regrets are one’s mistakes.”
  5. “There is no such thing as a moral or an immoral book. Books are well written or badly written. That is all.”
  6. “He was always late on principle, his principle being that punctuality is the thief of time.”
  7. “The lad was premature. He was gathering his harvest while it was yet spring.”
  8. “No civilized man ever regrets a pleasure and no uncivilized man ever knows what a pleasure is.”
  9. “He had told the girl whom he had lured to love him that he was wicked, and she had laughed and answered that wicked people were always very old and very ugly. What a laugh she had!—just like a thrush singing. And how pretty she had been in her cotton dresses and large hats! She knew nothing, but she had everything that he had lost.” 

Finally, having lived half my life in the country and knowing this to be the cleverest of ironies. my favorite is: 

10.  "Anyone can be good in the country; there are no temptations there."

Though I do adhere to #6. I just had never heard it expressed so eloquently. Do you have a favorite? Have you read this novel? It sat on my shelf for fifteen years. I don't know why I put it off.

Friday, January 24, 2014

Under The Knife (Fri.Flash 55)

Would they have us melt some Tupperware
and spread it on our bread?
One molecule from plastic
should be their claim instead.
Round-up in the waves of grain
they took her breast by knife.
The deer steer clear of GMOs,
amphibians the coast.
Let’s all melt some Tupperware
and spread it on our toast.



If you like butter on your toast, let the G-Man know!
Sorry, G., I’ve veered out of the fictional world this week into reality’s nightmare.With the latest news I got all creepy. The brown food coloring in cola has now been determined to be a carcinogenic. Pepsi rebuked the findings, saying even if true, most of their customers only drink 1/3 of a can a day so amounts should be considered safe. Does anyone know anyone who opens a can of pop and only drinks one third? And why is margarine in the dairy aisle? It isn’t even food. And it certainly isn't yellow. Margarine was “invented” and it is grayish white, the way you’ll find it in Europe (if you find it at all), where they aren’t allowed to dye it.