So, this was me back when I first started writing Black River.
And here is the story behind the making of the story.
I don't share this lightly because I'm sure my criticism of the military industrial complex will offend some people.
"The Organic Writer"
"Two wrongs may not make a right but a thousand wrongs make a writer.”
So, this was me back when I first started writing Black River.
And here is the story behind the making of the story.
I don't share this lightly because I'm sure my criticism of the military industrial complex will offend some people.
Meet Book DNA, formerly Shepherd.com, a new place to share your favorite books, meet other readers and authors, and feature your own if you are an author. Book DNA matches readers with books based on individual tastes. If you are frustrated with Goodreads (I personally abhor the recent increase in popup ads), check out Book DNA.
Right now readers can submit their favorite five of 2025. Here's mine. My list features the best with rural noir tension and environmental conflict, themes my new novel, Black River, shares.
It's fun to share your favorites and easy to find new ones. All ad free!!
I have an essay in Wild Ink Publishing about putting a character up a tree, falling in love with them, and getting them down.
Check it out!
And pre-orders for BLACK RIVER open today. My main character isn't literally up a tree, only in hot water.
Or should I say cold?
Published by Unsolicited Press, the gutsy, small indie publisher from Portland, Oregon. Available now for pre-order from Asterism Books, a boutique distributor with deep indie-bookstore relationships. Thanks for supporting me, Indie publishing, and independent bookstores everywhere!
p.s. Book Friends, I made a playlist! My first attempt and it was fun matching songs to the mood and progression of of the story.
In response to the prompt from Poets & Storytellers to write a personal message to the rest of humanity, the thing you'd most like to communicate, this collaborative poem does as good a job as any I could relay on my own.
THE BURNT HAND
The rengay is a form of linked verse consisting of six thematic verses collaborated by two or three poets with alternating 3 and 2-sentence stanzas. For The Burnt Hand I collaborated with David Bogomolny at The Skeptic's Kaddish. It was his suggestion and encouragement that birthed this poem. See more, explanation and history behind the form Here!
Dark Matter is like the space between people -Tracy Smith "Life on Mars"
This month is named for Mars, that bloodthristy Roman God of War and eponymous red planet, and this post is a tribute to Tracy Smith's "Life on Mars" the Pulitzer Prize winner for poetry in 2012. Frank Tassone at dVerse, the Poet's Pub, has suggested we write a haibun in the spirit of Smith's extended elergy for her late father.
We don’t stop playing because we grow old; we grow old because we stop playing. - George Bernard Shaw
Does the music you enjoy indicate intellectual capacity?
AI has moved from mildly irritating to intrusively pushy in a matter of months. In writing platforms they are especially obnoxious. AI has its place, don't get me wrong, but not in creative writing, and it should be something one opts into not something that is foisted upon us without our consent or knowledge.
And.....it's not as smart as it thinks it is. For instance the Gmail Gemini bot doesn’t know the difference between periodically and sporadically. He refused to believe the latter is a word. Some of the creep's edits (so called "corrections") are just plain funny. So we might as well laugh. For instance, when proofreading copy, I recently came across this AI invention: He was fuzzy on details became he was a fuzzy tail.
I’m managed to turn off some of the AI
“enhancements” but not all of them. And with every update, Google throws a new
wrench into the mix. Like the one a miscreant threw into my great grandfather’s
oilwell to disable it. (A true story) They don’t make it easy to disable their entrenched AI bots and while
their wrenches are mostly just annoying, some make it impossible to produce,
clean, innovative and imaginative human writing free of artificial intelligence.
Their main problem? They aren’t human.
The $70 million JOHN F. KENNEDY CENTER for the Performing Arts opened on Septemer 8, 1971. The first piece performed was Leonard Bernstein's Mass, which Jacqueline Kennedy Onassis had asked the composer to write in memory of JFK.
Designed by American architech, Edward Durell Stone, the center represents a PUBLIC-PRIVATE partnership. History of the Kennedy Center here.
The rooster struts
like a king, high-stepping his fiefdom and puffed up with self-importance. But
should a hawk glide overhead, he’s the first to run for cover. The flock crowds
together in mass squawking confusion, the chaos of a blitzkrieg, the theater
full of smoke. Chickens are vulnerable but they aren’t stupid. They have a
highly developed sixth sense when it comes to the hawk flying overhead.
Now, back to the rooster in question from Part I (below), you couldn’t turn your back on him or he’d stab you in the ankle with his spurs. Grown large over time and covered with keratin, they were sharp as spears. He was horny as a goat. As soon as we opened the door to the coop, the hens rushed out to grab the first worm or the unsuspecting grasshopper, but he’d jump on them in dizzying succession, servicing the flock of fifty within a minute. We often wondered, how much fun could that be?
One of our customers taught middle school, and
she had a 6-egg incubator in the classroom. The kids loved watching the
process, typically 21 days, from the first movement inside the egg, to a crack
in the shell, to the chick emerging wet and dazed. Her success rate was
phenomenal until the year only one hatched from the incubator. The children
grew fond of him and named him Wilson from the Tom Hanks film, the lone
survivor. But as Wilson sprouted the early markings of a rooster nobody wanted
to take him home, and she asked us if we’d take him back.
At the time we were minus a rooster as the
old keratin-laden maniac had met his match at the sawed-off end of a golf club
after he jumped on the back of a 5-year-old. We liked having a rooster, the
sound of crowing at the full moon in the middle of the night and at the first
streak of day, so we said yes. We met her in town and she handed over the box
with the silent weight of Wilson inside.
Wilson was mannerly, not as "puffed up" as his predecessor. He did his mating in gentlemanly fashion. A discerning rooster, he even let them forage first and pull worms from the wet soil before he’d jump on their backs.
Once a hen nabbed a frog and Oh! the commotion! The entire flock
on her heels as she raced around the enclosure to guard her treat. They all
wanted a piece of that frog, but Wilson just bobbed his way calmly along the
poultry fence looking for his own treat.
Then came the summer of the mink.
One morning we found a hen dead and gutted
inside the coop. The next morning, another. We set traps outside the poultry
fence, suspecting a mink, but a mink is too wily to be tempted by a trap,
regardless of the bait.
Then one morning it was poor Wilson,
bloodied and torn, feathers everywhere as if he’d put up a good fight, guarding
the hens. We buried Wilson next to Malcolm, our adopted cat that had spent his
evenings outside the fence watching the way a cat watches, and we wonder now if
that’s why we never had a mink problem until he died of old age.
The rest of that summer, our chickens were
picked off one-by-one, then two-by-two; sometimes nothing left but piles of
feathers and a stray bloodied limb. In spite of the traps set and the holes in
the floor we patched and reinforced, the mink always found a way in until there
were only six left. We gathered the six up one night when they were roosting
(crowded together in a corner of the roost staring fretfully at the floor) and took them down the road to
my sister’s coop where they at least stood a chance.
Later that fall, when I was cutting grass
for the last time, I noticed something black jutting out of the grass by the
ditch. As I went over to investigate, I realized it was one
wing from a Black Australorp pointed at the sky. All that remained of a flock
of fifty and one rooster named Wilson.
Today at dVerse, the pub where poets hang out, we were asked to write a Quadrille (a poem of exactly 44 words) which includes the word smile, in any of its forms. We need more smiles nowadays so I repeated it three times to make it stick. Now visit the poets pub for more smiles, from Nat King Cole to Tim McGraw to Charles Bukowski.
This is the cover for my new novel, BLACK RIVER, to be published on July 27th by Unsolicited Press. It's dark, ominous feel is exactly what I was envisioning for this story.
What do you think??
After the copyediting and the proofreading and the laborious task of cutting a few thousand words, which while painful can be invigorating, you finally get an ISBN number. I got mine three days ago. At a writer's converence a long time ago, an agent of some renown was the speaker and she said, "You don't have a book until you have an ISBN number. Call it a manuscript or a work-in-progress, or the next great American novel! But don't call it a book.
I never forgot that. So, I take great pride (and even the second time around, it feels momentous) to say I have an ISBN number. Along with that came the rest of the technical data, list price, print run, book size, and pub date.
Next up for me here is the cover reveal which I plan to post tomorrow. It's dark and ominous and I hope piques your interest. You will let me know, won't you?
Over and Out.
p.s. gotta take down the Christmas tree and haul it out to the porch with its strung popcorn and dried cranberries for the birds. Repurposing it thus makes me feel less guilty for having hauled it out of the woods.
The wind is howling across the Upper Midwest and through the Great Lakes region to make driving hazzardous and rattle the windows of this old house. I wonder if the power will hold, if the trees will stand and the animals find shelter. Snow in the forecast for this frozen but barren land and my garlic would benefit from it's insulating layer.
I've received the cover art for
my new novel and my editor signed off on it after I gave my
"thumbs-up". It's nice to be afforded some input on this very important
step. I know many writers are not given any. As I wait for
permission to share, I think its dark, portentous look will pique a reader's interest, entice them to stop and open it up. That
magic moment when a reader steps into another world where they want to
stay.
I received an Author Visibility
Kit from my publisher, Unsolicited Press. The writer's job might start with the
blank page but doesn't end with an ISBN number. From pre-publication, to a book's
launch, to six-months out, to long-tail sales, the author's job is a relentless
slog.
Of high importance throughout
the process, according to UP, is making use of social platforms. Their suggestion is to pick two or three and stay active, posting at least twice a week. The
main ones are Instagram, Pinterest, Facebook, Bluesky, TikTok and X. I am already
on Instagram and Facebook, and, with less frequency, Bluesky. Along with this blog and my website and newsletter, I think that's enough. One can only do so
much social media and retain sanity and writing time. The newsletter is highly
recommended. If you haven't subscribed to mine, here's the link to my contact form. If you
get bored, you can always unsubscribe. Are there any social media platforms
you use and recommend? Which ones are you on? I'm curious to know.
Even as I've been writing this, the snow has begun to fall. Snowfall always lifts my spirits, maybe from back when "snow days" were a thing and strapping on skates or grabbing a sled was commonplace. For now, I’m happy to snuggle in my slippers in this writing space
as I wait for the OK to reveal my new cover, first to newsletter subscribers, and then to a wider audience. And about those social media platforms you use....I'd really like to know.
Peace out and Happy New Year. May 2026 leave 2025 in the ashbin of history to be learned from but never repeated!!
The limbs of the arborvitae hung with snow bow to the ground like penitents on parade. It came quietly in the night. Even the bird feeders are contorted into something they aren't. This snow looks fluffy and friendly but now we have to shovel the walk and the back of the truck because today was supposed to be our Christmas tree cutting day! Down gravel roads and over hills to Hunt 4 Your Fir! But first the boots, shovel and power up the tractor, lower the blade and off he goes, the big guy that is. Not me. I'm staying inside to catalog it all.
The power is on and what a gift electricity is. So runs the coffee maker and the lights strung around the buffet and this gadget I'm writing on. Speaking of....
I'm waiting for big news from my publisher on the 15th of this month. I'm hoping to get a glimpse of what my cover will look like for Black River, my upcoming novel about trouble in farm country.
Anyone can be good in the country, there are no temptations there.
Everyone knows that isn't true! Trouble is and always has been intrinsic to farm country. Oscar Wilde had a cleverly sarcastic pen.
I've just been notified by dVerse, the pub where poets hang out, that three of mine have been selected for their 2026 anthology. They have invited poets from around the globe to send in their best, so I can't wait to see what the collection looks like and the treasures it will hold. I'm very honored and excited to have my verse included.
Now, a little something new for Lillian's prompt about sewing. Can you find the terms? Have a happy Wednesday and may your power stay on and the water run.
Dredged up from the archives of my past by the prompt from dVerse Poets Pub with the poet Ted Kooser's poem in mind So This Is Nebraska.
With hay cut and drying in the sun,
I see those strong boys paid to help.
Heavy bales to lift, throw, and stack,
chaff in our hair, sweat down our backs.
We gathered at the hydrant,
close but not touching. Closer than touching.
Thigh-high in goldenrod
on a wend among the boulders,
glacial erratic that lined the fence
worn pocket tops caught the rain
and made a seat for dreams of Oread
hawks and love and common things
and lent a view of the jagged line
of rogue apple trees
that grew along the creek
in unmannered ways,
withstood the winds of winter
and bore uncommon fruit
without the nod of a care from us.
We’re too good to be happy too straight to be sad. - Carly Simon
(Pet Peeve take 4)
Wine instead of beer
With Labor Day behind us, we say goodbye to summer. The singing of the autumn chirpers escalates with the earlier sunset hour. Though summer is waning, the hummingbirds still hover and dart around the porch. I refilled their feeder for perhaps the last time.
I have three new kitties.
We lost our Hemingway cat, Malcolm, to old age and wanted another farm cat to hold down the mice population and deter the minks that ate all our chickens, but somehow we ended up with three. Though feral and shy, two out of three have become tame, perhaps by good food and the Grandma Linck in me. She who warmed milk in a saucepan for her cat in winter. Her spirit hovers in the air like the whirr of a hummingbird. Or maybe they sense her in the owl that hoots outside my window before swooping over the field of Queen Anne’s Lace and goldenrod for the woods beyond. I named the first shy kitty Sneaky Pete. The second to show up is Charlie, who hides under the porch, and skedaddles at the slightest disturbance. The third to adopt us is the prettiest. Grace is gray and white with a big fluffy tail and greenish-blue eyes that shine like ingots of stained glass. Isn't she pretty? Now I need to find a free neuter clinic, or at least one with reduced cost.
When the house is asleep but I’m not and can’t, I like to write, sometimes stream-of-consciousness musing but also a new novel still in its infancy but growing in fits and starts like a pimpled adolescent.
Ahh . . . this writing life. It can be a fine one as long as you aren't in it for the money. On that note, give a free listen to my new audiobook narrated by the old college suitemate, Jan Harley with her musical voice, and her friend, David Danger. (Gotta love that name!) He does a fine job with Stefan's voice. Curls my toes.
Birds sing and flit around the feeders
But where are the butterflies?
What is a will-o'-the-wisp?
What is a whip-poor-will?
The bees that escaped their hives in protest
Of a neighbor’s rough handling swarmed
My porch, my yard, my window screens.
After two days, they rediscovered their hives
And lifted the siege. I went to the grocery.
The anniversary of a death approaches
But I’m not a Buddhist to celebrate the end.
I’m not pining like the doves who coo
From the highwire from where they see what they see
But where are the butterflies? Where are the pond frogs?
The crop duster returns in the evening to herald dusk
the way frogs once did.
A murder of crows caw from the top of a tree
struck by lightning. Will they remember my face?
Written for Poets and Storytellers who challenge us to write something both spooky and summery (summerween!). Nothing is spookier here in the lowlands of Southeast Michigan than the constant drone of the cropduster. What they are doing can't be seen, like the roots of a tree.
And for dVerse Poets who gave us a poem from Pablo Neuvda's Book of Questions, Why do trees concal their roots? a poem that prefers questions to answers."
I used to have a haynow diary back when I had papa's haymow for a writing hideaway. Now I have a boring armchair dairy. But today I'm calling it a drought diary. Looking for a rain cloud, avoiding the sunny side of the street.
I've been digging the weeds out from around my tomato plants. They had a slow start with all the deer hobnobbing about, then the tiller broke, then it rained, then I was down and out with a nasty summer cold, so the weeds ran away like the dish and the spoon. Now drought. Sitting under a ceiling fan, scornfully disdainful of AC. But....
If our norm continues to be 90-plus-degree-days, I shall succumb. Are there still people out there who think global warming is a hoax? Not if they're as old as I am and can remember when winter came byThanksgiving and didn't let up until April. The one small exception was the January thaw. Do you know what that was? It was famous about the farm. If you're under forty you may not know. If you are under thirty you probably don't care.