Snake....a beginning

Snake climbed the ratline and glassed the ocean. A black rim of land inked the horizon. It was time to make his escape.

He wouldn’t be free until his bond was paid, and he was too young to pass time this way—blisters on his fingers, brine on his lips, and tar under his nails. He’d been wagered into servitude in a high-stakes game. He didn’t blame his father. Everyone had their vices. It amused him that they thought he’d been worth so much.

Anniversary and A Cure

It's my blog's anniverary month! We're four years old. I started this blog back in November, 2008, back when it was deemed essential for an emerging writer to have one, but I was afraid that nobody would want to read about my bulky manuscripts and fledgling attempts at publication, so I wrote my first post about beets.

Pretty funny, eh?  Let me explain. When I'm not writing, I'm gardening, and I know that everyone loves good food. (As George Bernard Shaw said,  "There is no love sincerer than the love of food.") So I thought I would begin by writing about something we can all agree on. My first post was about the tremendous beet harvest of 2008 with a recipe for Rosy Beet Risoto from my sister, Bett. And then I shared my mother's homemade spaghetti sauce recipe, memories of the season triggered by a November gale and gunshots on opening day as I carried a bowl of sauce down the road to her place.

Back when pheasants were plentiful, opening day of hunting season was a main event. We always made friedcakes, using my grandma's deep ol' fryer and an ancient recipe. It was an all-day process, at the end of which the counter would be full of warm friedcakes dripping glaze or coated in sugar and cinnamon. The hunters would report in at the back door, eat friedcakes, and discuss the hunt.

But back to blogging. I moved beyond food, and suddenly one day I had a follower and more than one comment. Who would've guessed? I didn't know there would be such a thing as followers and feedback. Did I say I knew anything about blogging? I knew nothing, but I got braver and posted an excerpt of my writing and a poem or two.  I met other writers and artists, editors and interns. I started to get more than a couple of comments on a post, I dared to offer advice, wrote about writer do's and don'ts, and posted a book review. I shared experience and fessed up to rejections. I received a few blog awards (remember when those things were all the rage?) and passed them on. I had fun. 

Of late, many have questioned bogging and wonder if the pheonomon has run it's course. But I think that as long as people hunger to share ideas, receive advice and get feedback, there will be a reason to blog and interesting people who will do it. Blogging opens lines of communication between people who would never have otherwise met. I love getting a comment from Australia or Europe or Asia, or from someone in the next county. Some months I may only get up 2-3 posts but that's OK.

I began by singing beet praises, so let me end this post with a story about beets. When my grandmother was a young woman (my father just a boy), she because very ill with what was then called Quincy. We now know it as acute tonsillitis. She became so sick, she could barely breathe. Grandfather sent for her sisters to come and help. The distance was great with nothing but a team of horses to ease their journey, but they made the trip and arrived on a blustery winter night and started chopping up beets. They made a beet poultice and wrapped it around her neck in a cheesecloth. They didn't cook the beets; they simply chopped them in a food grinder and wrapped them in cheesecloth. They changed the poultice several times during the night. In the morning she was better.

In closing, I'd like to thank all of you for reading what I write and thank you especially for all your encouraging words. Even if you only drop in ocassionally, that's all any writer could ask. I remember each and every one of you. I thank you for making blogging fun.

Happy Thanksgiving!

An Interview!

Ethan Vaughan, editor extraordinaire and agent intern has just posted an interview with me!! Very exciting...a real interview. He asked some pretty tough questions on controversial issues, and I feel like I've really put myself out there, like my skin is getting thinner by the nanosecond when it's supposed to be getting thicker. Please stop over there and say hi. 

After reading my manuscript, Ethan gave me a "reader's report". It was an in-depth review of the entire manuscript, highlighting the strengths and weaknesses with suggestions for turning those into strengths. He uncannily pointed out all the areas that could benefit from reassessment, scenes and elements that I myself wasn't entirely happy with. He obviously read my novel closely and picked up on things that other advance readers had missed. As he pointed out to me, "All manuscripts have to go through editing, usually of a pretty hefty nature, but they emerge better for it and I'm sure yours will too." If you need any editing help, you should consider Ethan Vaughan.

Keeping Things Pretty - Recommendations and Chaos

I have an award to accept and one to pass on, a couple of reading recommendations, and an observation from farm country on football Sunday.

Jon Paul at Where Sky Meets Ground recently gave me this blog award.

Thanks Jon Paul!

He is participating in NaNo and tearing it up. In fact his progress has been so remarkable he's inspired me to participate in this novel-writing month next year. Check him out and follow if you aren't already. I'm supposed to pass this award on to 15 other bloggers. At this time, I'm passing it on to five, because it takes a lot of thought and time to do awards. I do reserve the right to name my other ten at a later time. Some of these bloggers are new to me while I've been following others for a while, but they all have one thing in common: they've created blogs I return to again and again, which is my definition of a lovely blog.

Zev from Swords Into Plows is a man after my own heart. Check him out and you'll see why.

Jessica Bell at The Alliterative Allomorph is an amazing talent. Plus she sent me her CD all the way from Greece, which is better than a postcard. Thanks Jessica!

Anthony Duce draws and writes and does both exceptionally well. He strives to say a little, but not too much, and somehow he always says it just right. He gives life to the still life and still life to the living.

Ed Pilolla whose recent post "Clothesline" was absolutely brilliant, and I'm not given to gushing.

Pet at Pencil and Box who blogs about things like an amazing yet obscure animated movie based on a story by the late Ted Hughes and because he's well written and pops in on me from time to time. He's from Spain and I like to keep abreast of what's going on over there.

If you aren't already following these five, you're missing out on some worthwhile reading.

Now, for those recommendations: I just finished reading ORYX AND CRAKE" by Margaret Atwood. That novel will make you hate us. Would I recommend it? Well... I read it in just two days. Atwood knows how to grab you by the scruff of your neck, and she doesn’t let go until she’s finished with you. Is it farfetched in its look at the future? I sure hope so. Are there elements of truth already lurking on the horizon? Sure. Enough of them to make you shiver.

On my bed stand now is CUTTING FOR STONE, by Abraham Verghese. I was told by one of my most thorough readers that she thought it the best novel of 2010. She has her own lending library and has never steered me wrong so now I'm steering you. I knew from the first paragraph I would like it. Don't you just love it when that happens?

And, finally, an observation from where I live: It's dark now and the gunshots have receded. It's hunting season, and from dawn to dusk, shots echo through the woods and across the fields. This might strike you as harsh, but it's actually a good thing. The deer are a nuisance, causing numerous car accidents and destroying crops. So far, five have been taken out of the farm, and we're hoping for many more to be harvested. When they start cutting into your income and wrecking your vehicles, it's time for a cull. They have no natural predators as the coyote and cougar are rare and the wolf are gone. Man is their only predator, but fewer and fewer hunting licenses are issued as the younger generation has taken to video games rather than hunting and fishing and outdoor activities. Their interest is gaming indoors, not hunting game in the cold of November.

One more think before I say adieu, one more thing. It's another football Sunday and the NFL is playing patriotic. It seems to be a new theme in sports, hyping the flag and the soldier and the occupation (but not the one in NY). The God Bless Americas, the trumpets, flags, and fly-over formations, Man shed his waste on thee... but something strikes me as false because I can't forget the scene from Thursday playing across America for those who were paying attention. A woman dressed in an overcoat with long hair and a backpack was dragged down the street by police in riot gear. They lost their grip on the backpack and went for the hair. She was dragged away,kicking and screaming and nobody helped. Maybe they were all afraid, unlike the boy who stopped a tank in Tiananmen Square. Dragged through the roadblock, dragged through the cameramen, dragged out of sight. Syria? China? Greece? Some barbaric Third World country? Did you see it? Was it just my imagination?

It's dark and the shots have receded but not the memory.

Shock-Resistant Shit Detector

Do you engage your S.R.S.T. when you sit down to read a novel? Do you slip it into high gear when you're writing one? Are you empathetic and compulsive and fascinated by words?

This much I know: nothing else gets done when I'm caught up in the make-believe world of my novel. The greenhouse is a mess. There's a knee-high thistle in my hosta bed, cobwebs on the porch, cukes and tomatoes going to hell on the vine, garlic that needs to be sorted and stored in a cool dark place. These things bug me but here I sit with novel #2 spread out around me with pencil edits and crossed-out chapter breaks, unable to care about anything as much as I do it.

All I can think about is Boyd and his dangerous attraction to the migrant worker's daughter and why would he hide a gun there and a body here? What was he thinking? And why doesn't the ground stay frozen like it used to and the ice thicken on the lake enough to walk out safely on? Why do the creeps always have the upper hand? Why does his co-progatonist cut her hair to change her appearance and run away instead of standing up for herself and for him? Why do I care more about this than the weeds in my own life? Is this what John Gardner, teacher and writer, means by creating a vivid and continuous dream? Our own lives become a shambles as the dream on the page takes shape? Or is this the trance our readers are supposed to fall into, not us?

There are so many solutions to the problems our characters get into. As Gardner says, "Problems in novels are unlike problems in algebra which have one solution." Likewise, there's only one thistle to be pulled, and a set number of garlic to store, and one greenhouse to tend to, and I can knock the cobweb down with a broom. These things are easy and have one solution. A novel has any number of solutions, but, alas, I fear only one will be good enough. Only one will be brilliant.

A writer must have what Hemingway called the "built-in shock-resistant shit detector." In concert with the writer’s eye, (the ability to see how things really are and to write it down without falsification) and the appetite for compulsive revision—killing your darlings with a heightened intuition for the silly and the abstract—is the writer’s “special intelligence”.

We have to keep at it with daemonic compulsiveness until we can say, "It's as good as I can make it." And that will be good enough. Trust your unconscious. As Gardner says, "The unconscious is smart."

The pages are piled around me, numbered and full. The hum of the refrigerator is the only sound, and the sun colors the eastern sky like autumn sedum. I imagine these literary sages standing guard, daring me to try.

The Teacher

A writer must take infinite pains—if he writes only one great story in his life, that is better than writing a hundred bad ones—and that finally the pains the writer takes must be his own.
—John Gardner

In praise for John Gardner’s book, On Becoming A Novelist, my copy is underlined and annotated and always close at hand. I’ve read it and reread it, all the while wondering: do I have what it takes? And then self-doubt sets in, as it always does, especially when I awake in the middle of the night and all seems lost. Then, in the light of day this self-flagellation retreats like the bogeyman under the bed and off I happily go in search of the perfect word.

He explains better than any teacher I’ve ever had what writing teachers really mean when they say we should show and not tell. “One can feel sad or happy or bored or cross in a thousand ways,” he says. “The abstract adjectives mean almost nothing. The precise gesture nails down the one feeling right for the moment. This is what the writing teacher means by “show,” not “tell". And that is all they mean. You can tell a reader about almost anything in fiction except a character’s feelings. The characters’ feelings must be demonstrated, through an action (or gesture), dialogue or physical reaction to setting.”

If I would share any other thing from this generous book, it is his frequent reference to what he calls the vivid and continuous dream. A good writer, he says, evokes in a reader a vivid and continuous dream. This is the state of mind your reader falls into if you’ve done your job. Absorbed in the dream you’ve artfully weaved, they forget that they are reading printed words on a page. But be wary, for the dream can be abruptly interrupted. One misplaced word will jar them back to reality, one clumsy out-of-character action (why she would never do that!) will make them question the writer’s honesty, one grammatical error will make them page ahead looking for one more reason to stop or, worse, set the whole thing aside.

I think it relates back to the mysterious trancelike state all novelists experience when they’re writing a serious novel. We can’t explain it, even to ourselves, and certainly not to anyone who doesn’t write novels. The writer’s trance evokes the vivid dream in the reader. Good fiction requires it and the serious reader expects it.